Works (chronological)

 

 

THE LONG DISTANCE FROM ZERO TO ONE, 2010 (5 Min.)

for solo voice

WP: in preparation

Bärenreiter BA (in preparation)

 

SCHWEBENDER RAND MIT VERZWEIGUNG, 2010 (10 Min.)

for two bass clarinets (or clarinets)

WP: 4th July 2010, XVIIIth Randspiele Zepernick / Brandenburg, Matthias Badczong, Ingolfur Vilhjalmsson, bass clarinets

Bärenreiter BA (in preparation)

 

SCHATTEN UND KLARSEIN. VERSE FÜR HEINRICH VON KLEIST, 2009/10 (22 Min.)

für Sopran und Streichorchester (6 Vl I, 5 Vl II, 4 Vla, 3 Vcl, 2 Kb)

Commission of Foerderkreis Neue Musik Heilbronn / Wuerttembergisches Kammerorchester Heilbronn

WP: 15th December 2010, Heilbronn, Dorothee Mields, soprano, Württembergisches Kammerochester, conductor: Ruben Gazarian

Bärenreiter BA (in preparation)

 

WAITING FOR T, 2009 (8 min.)

for trompet, trombone, violoncello and drums

Composed within the scholarship of the German Accademy Villa Massimo Rome

WR: 17^th July 2010, Akademie Schloss Solitude Stuttgart, Ensemble Ascolta

Bärenreiter BA (in preparation)

 

BESCHRIFTUNG DER TIEFE VON INNEN, 2009 (14 min.)

for ensemble (bass fl, ob/englh, clar, bass cl, bsn, dbl bsn, hr, tr, tromb, 2 perc, acc, 2vl, vla, 2 vcl, dblb)

Composed within the Scholarship Deutsche Akademie Villa Massimo Rom

WP: Auditorium Parco della Musica Rom, 11^th December 2009, Ensemble Modern, conductor: Stefan Asbury

Bärenreiter BA (in preparation)

Comment

DEIXIS, 2009 (14 min.)

for violoncello solo

Composed within the scholarship of the German Academy Villa Massimo Rome

WR: German Academy Villa Massimo Rome, 23^th June 2009, Rohan de Saram, violoncello

Bärenreiter BA (in preparation)

 

CRY, 2009 (14 min.)

for violin solo

Composed within the scholarship of the German Academy Villa Massimo Rom

UA: in preparation

Bärenreiter BA (in preparation)

 

DOPO DOMANI, 2008 (7 min.)

for voice and piano freely after a text by Daniela Danz

Commission of Singakademie Berlin

WP: Deutsche Oper Berlin, 7^th December 2008, Gesa Hoppe, voice, Anne Champert, piano

Bärenreiter BA (in preparation)

 

FAR FROM DISTANCE, 2008 (11 min.)

for clarinet, violoncello and piano

Commission of Days for Interpretation and Performance Saarbrücken

WP: Days of Interpretation and Performance Saarbrücken, 15^th October 2008, Eduard Brunner, clarinet, Gustav Rivinius, violoncello, Adrian Oetiker, piano

Bärenreiter BA (in preparation)

Comment

SCUSI, 2008 (11 min.)

for tenor recorder and piano

Commissioned by Ensemble Miroirs Hannover

WP: Sprengel-Museum Hannover, 19^th October 2008, Ulrike Volkhardt, tenor recorder, Susanne Achilles, piano

Bärenreiter BA (in preparation)

Comment

NEVER REAL, ALWAYS TRUE, 2008 (11 min.)

for accordion solo

Commissioned by Deutschlandfunk Cologne

WP: Deutschlandfunk Forum for Contemporary Music Cologne, 5^th April 2008, Margit Kern, accordion

Bärenreiter BA (in preparation)

 

 

 

ESSAY ON SHADOW AND TRUTH, 2007 (28 min.)

for orchestra

Commissioned by Opera Krefeld-Mönchengladbach

WP: Krefeld, 29^th April 2008, Niederrheinische Sinfoniker, conductor: Graham Jackson

Bärenreiter BA 9724

Comment

ESSAY ON SHADOW AND TRUTH (CHAPTER I), 2007 (14 min.)

for orchestra

Commissioned by Opera Krefeld-Mönchengladbach

WP: Krefeld, 29^th April 2008, Niederrheinische Sinfoniker, conductor: Graham Jackson

Bärenreiter BA 9723

Comment

ECHOES OF O’s, 2007 (from 3 min. on ad lib.)

for one or more performers or any movable entities

WP: Documenta Kassel, 26^th August 2007, Angelika Luz, performer

Bärenreiter BA (in preparation)

Comment

DER HELLE RAND VON FURCHT UND ERWACHEN, 2007 (15 min.)

for soprano, mezzosoprano, baritone, flute (bass- and alto), viola, horn, double bass and harp

Commissioned by ADEvantgarde-Festival Munich

WP: Emma-Theatre Osnabrück, 17^th May 2007, Ensemble of Oper Osnabrück, conductor: Marius Stieghorst

Bärenreiter BA 9712

 

GRAN PASSO, 2006 (12 min.)

for piano

Commissioned by Concours Clara Schumann Düsseldorf

WP: BBC London, Maida Vale, 16^th November 2007, Mark Knoop, piano

Bärenreiter BA 9358

Comment

KOY, 2006 (4 min.)

for bass voice solo

Composed within the scholarship program KunstRaum Sylt / Germany

WP: Festival Voix-Nouvelles Royaumont, 1^st September 2007, Andreas Fischer, bass

Bärenreiter BA (in preparation)

Comment

PASSAGE INNOCENT, 2006 (12 min.)

for 12 voices (3s, 3a, 3t, 3b)

Commissioned by Berliner Senatsverwaltung für Kulturelle Angelegenheiten

WP: Berlin, 30^th January 2007, Ars-nova-Ensemble Berlin, conductor: Sabine Wüsthoff

Bärenreiter BA 9354 (in preparation)

Comment

INVENTAIRE DE DÉPART, 2006 (23 min.)

for accordion and electronics

Commissioned by Deutschlandfunk Cologne

WP: Academy of Arts Berlin, 18^th October 2006, Margit Kern, accordion / Studio of Electronic Arts of Academy of Arts Berlin, Georg Morawietz and Gerd Rische, sound engineering

Bärenreiter BA (in preparation)

Comment

MINZMEISSEL, 2006 (5 min.)

Three small pieces for voice and piano

WP: Munich, 4^th March 2006, Julie Kaufmann, soprano, Axel Bauni, piano (Nr. 1), Festival Klangwerktage Hamburg, 22^th November 2008, Christiane Iven, soprano, Axel Bauni, piano (Nr. 1-3)

Bärenreiter BA (in preparation)

Comment

VISIBLE THOUGHTS, 2005 (12 min.)

for tenor saxophone, percussion and piano

WP: Saarländischer Rundfunk Saarbrücken, 16^th February 2006, Trio Accanto

Bärenreiter BA (in preparation)

 

SECRET ROOTS OF FUSION AND FATE, 2005 (13 min.)

for violin, double bass clarinet, percussion, double bass, tuba in Eb and live electronics

Commissioned by Academy of Arts Berlin

WP: Academy of Arts Berlin, 10^th December 1005, Chamber Ensemble New Music Berlin

Bärenreiter BA (in preparation)

 

FLOW, 2005 (10 min.)

for violin, flute (also alto fl) and violoncello

Commissioned by Villa Aurora Berlin / Los Angeles

WP: Berlin, 4^th December 2005, Ensemble Ear Unit Los Angeles

Bärenreiter BA (in preparation)

Comment

ITINÉRAIRE, 2005 (11 min.)

for piano

Commissioned by Bebersee-Festival Groß-Dölln

WP: Airport Groß-Dölln, 5^th August 2005, Markus Groh, piano

Bärenreiter BA 9359

Comment

SOUS MES YEUX, 2005 (4 min.)

for piano

WP: Traunstein Music Summer, 4^th September 2007, Axel Bauni, piano

Bärenreiter Piano Album, Contemporary Composers, BA 8762, p. 66-70

Comment

ALL’APERTO, 2004 (8 min.)

for 16 part chamber choir, freely after Sonnet 362 by Francesco Petrarca
(4s, 4a, 4t, 4b)

Commissioned by the International Choir Festival Ruhr Bochum / Germany

WP: International Choir Festival Ruhr Bochum, 28^th October 2004, Stuttgarter Kammerchor, conductor: Frieder Bernius

Bärenreiter BA 8596

Comment

EINLASS UND WIEDERKEHR, 2004 (17 min.)

Eleven fragments for soprano and piano freely after texts by Franz Kafka

Commissioned by the NDR Hamburg / Schleswig-Holstein-Festival for the Masterclass Contemporary Lied Aribert Reimann

WP: Schleswig-Holstein Music Festival / NDR Hamburg, 28^th August 2004, Silke Schwarz, soprano, Holger Berndsen, piano (Nr. 1-5, 10-11), Laeisz-Hall Hamburg, 1^st July 2008, Frauke Thalacker, soprano, Tammin Lee, piano (Nr. 1-11)

Bärenreiter BA 9323

 

ONE-WOMAN-OPERA, 2004 (15 min.)

for voice with hand percussion

Commissioned by Dresdener Zentrum für Zeitgenössische Musik

WP: Dresdener Zentrum für Zeitgenössische Musik, 30^th September 2004, Christina Ascher, mezzo soprano, Rainer Holzapfel, scene

Bärenreiter BA 9301

Comment

HORA, 2003 (10 min.)

for 8-part vocal ensemble (4s, 3a, 1b)

WP: Berlin, 2^nd October 2004, Berlin Cappella, conductor: Kerstin Behnke

Awarded with the Composition Prize of Berlin Cappella 2004

Bärenreiter BA 9318

Comment

RICORDANZA, 2003 (13 min.)

for 15-part choir (4s, 4a, 3t, 4b)

Commissioned by Klaus-Martin-Ziegler-Foundation Kassel

WP: Kassel, 30^th November 2003, Vocalensemble Kassel, conductor: Hans Darmstadt

Bärenreiter BA 8579

Comment

UNKNOWN FRIENDS, 2003 (10 min.)

for bass clarinet, trombone, piano and percussion

Commissioned by Bayrische Staatsoper Munich / Germany

WP: Munich, 6^th June 2003, Ensemble of Bayrische Staatsoper Munich

Bärenreiter BA 8566

Comment

LIVING GARDENS, 2002/03 (10 min.)

for 19 players (fl (also bass fl and picc), ob (also engl hrn), clar, bass cl, basson (also dbl bassoon), hrn, tr, tromb, tb, 2 perc, pno (2 players), 1 vl, vla, 2 vcl, dbl bass)

Commissioned by Ensemble Modern and the City of Frankfurt / Germany

WP: Alte Oper Frankfurt, 7^th May 2003, Ensemble Modern, conductor: Kaspar de Roo

Bärenreiter BA 7751

Comment

CORPS CROISÉ, 2002 (17 min.)

for string quartet

Commissioned by the Hannover Society for Contemporary Music / Germany

WP: Biennale Hannover / NDR Hannover, 9^th November 2002, Auryn Quartet

Bärenreiter BA 8565

Comment

HERZFORM, KRATER, 2001 (7 min.)

for accordion solo

Commissioned by Klangwerkstatt Kreuzberg / Germany

WP: Klangwerkstatt Kreuzberg, 10^th November 2001, Gerhard Scherer, accordion

Bärenreiter BA 9319

Comment

PAIRES D’ALTERNANCES, 2001 (11 min.)

for orchestra

Commissioned by the Kulturstiftung Rheinland-Pfalz / Germany

WP: Landau, 12^th January 2002, Staatsphilharmonie Rheinland-Pfalz, conductor: George Pehlivanian

Awarded the 1^st Prize in the International Composition Contest Ciutat de Palma / Spain for Orchestra 2004

Bärenreiter BA 7728

Comment

DIR, MIR ZU, 2001 (3 min.)

for voice and piano

WP: Munich 25^th June 2001, Martina Koppelstätter, mezzosoprano, Moritz Eggert, piano

Bärenreiter BA 8276 (in preparation)

Comment

ECHOES, EDGES, 2001 (10 min.)

for piano

Commissioned by the Bremen International Piano Contest 2001

WP: Bremen, 24^th October 2001, Stanislav Unland-Boianov, piano

Bärenreiter BA 8272

Comment

PLAYING BOTH ENDS TOWARDS THE MIDDLE, 2000 (10 min.)

for violin and violoncello

Commissioned by the Foundation Active Music Hamburg / Germany

WP: EXPO Hannover, German Pavillon, 2^th July 2000, Susanne von Gutzeit, violin, Konstanze von Gutzeit, violoncello

Bärenreiter BA 7791

Comment

HERZFALTER, 2000 (8 min.)

for tenor and piano, freely after Sonnet XIX by Francesco Petrarca

Commissioned by the EXPO Hannover / Germany

WP: EXPO Hannover, German Pavillon, 19^th August 2000, Marcus Ullmann, tenor, Michael Wendeberg, piano

Bärenreiter BA 8275

Comment

SEEDS OF NOISES, 2000 (9 min.)

for six voices (s, s, a, t, b, b)

Commissioned by the Biennale Hannover / Germany

WP: Biennale Hannover, 9^th Juni 2001, Neue Vocalsolisten Stuttgart

Bärenreiter BA 8274

Comment

MERGING STRAIN, 1999 (14 min.)

for violoncello solo

Commissioned by the Cologne Philharmonie

WP: Bach Feast Cologne, 3^th April 1999, Tanja Tetzlaff, violoncello

Bärenreiter BA 7790 (in preparation)

Comment

ANDERES / SELBST, 1998-2000 (75 min.)

Opera for three soloists, ensemble, vocalists and noise makers

Commissioned by the Opera Bonn / Germany for the series Bonn Chance

WP: Bundeskunsthalle Bonn, 11^th June 2000, Beethoven Orchestra and Ensemble of the Opera Bonn, conductor: Wolfgang Ott

Bärenreiter BA 7702

 

PESER SES MOTS, 1997 (12 min.)

for double bass recorder, bass clarinet, piano, percussion, violoncello and double bass

Commissioned by the Biennale Munich / Germany

WP: Biennale Munich, 4^th February 1998, Ensemble of Bayrische Staatsoper Munich

Bärenreiter BA 7476

Comment

SIEBEN VERLAUTBARUNGEN, 1997 (10 min.)

for baritone and piano

Commissioned by DeutschlandRadio Berlin / Germayn

WP: Ludwigslust, 20^th July 1997, Stefan Stoll, baritone, Axel Bauni, piano

Bärenreiter BA 7493

Comment

MONAD’S FACE, 1997 (8 min.)

for soprano, bass clarinet and violoncello

Commissioned by the Dresdener Zentrum für Zeitgenössische Musik / Germany

WP: Dresdener Tage für Zeitgenössische Musik, 3^th October 1997, Ensemble Accroche Note Strasbourg

Bärenreiter BA 7473

Comment

COQ-Á-L’ÂNE, 1997 (4 min.)

for three or more performers with sound producing objects

Commissioned by the Biennale Hannover / Germany

WP: Biennale Hannover, 22^th May 1997, Ensemble L’art pour l’art

In: Female Composers, ed. by Vera Funk, Stuttgart: Metzler, p. 35-39

Comment

WATERS, EARTH AND AIR I, 1997 (11 min.)

for female voice, bass flute, bass clarinet, piano and two percussionists

WP: Days of Contemporary Music Hannover, 25^th May 1997, Maria Kowollik, alto, Ensemble of Niedersächsische Staatsoper Hannover, conductor: Karl Prokopetz

Bärenreiter BA 7472

Comment

WATERS, EARTH AND AIR II, 1997 (11 min.)

for soprano, bass flute, accordion and percussion

WP: Klangwerkstatt Kreuzberg, 9^th November 1997, Maacha Deubner, soprano, ARTett Berlin

Bärenreiter BA 7465

Comment

ALLEANZA D’ARCHI, 1996 (9 min.)

for violin, viola and violoncello

WP: Akademie Schloss Solitude Stuttgart, 17^th April 1996, Ensemble Recherche

Bärenreiter BA 7471

Comment

KLANG UND SCHWEBUNG, 1996 (6 min.)

for piano

WP: Berlin, 4^th March 1996, Axel Bauni, piano

Bärenreiter BA 7462

Comment

CHAMPLÈVE, 1994 (10 min.)

for violin, violoncello and piano

Commissioned by the Villa Musica Mainz / Germany

WP: Zellertal-Niefernheim, 28^th January 1995, soloists of Villa Musica Mainz

Bärenreiter BA 7466

Comment

L’ UNO DALL’ALTRO, 1993 (11 min.)

for orchestra (fl, alto fl, clar, bass clar, bass, dbl bass, 3 perc, acc, hrp, strings vla I, II, vcl I, II, dbl bass I, II)

Commissioned by the Badisches Staatstheater Karlsruhe / Germany

WP: Karlsruhe, 29^th April 1994, Badische Staatskapelle Karlsruhe, conductor: Helmut Weese

Bärenreiter BA 7395

 

LIQUID DEVICES, 1993 (11 min.)

for soprano, flute, two percussionists and violoncello

Commissioned by the Hannover Society of Arts for the Days of Contemporary Music Hanover

WP: Days of Contemporary Music Hanover, 27^th January 1994, Norma Enns, soprano, Ensemble of Niedersächsische Staatsoper Hannover, conductor: Axel Stein

Bärenreiter BA 7492

 

CHAMBER SYMPHONY (OBJET DIAPHANE), 1993 (10 min.)

for 13 instruments (1,1,1,1 - 1, 1, 1, 0 - 1 perc. - 1,1,1,1,1)

Commissioned within the Composition Scholarship of Berliner Senatsverwaltung für Kulturelle Angelegenheiten Berlin for the Berlin Philharmonic Orchestra / Germany

WP: Philharmonie Berlin, 26^th June 1994, Berlin Philharmonic Orchestra, conductor: Gernot Schulz

Awarded the 1^st Prize in the International Composition Contest Prague Spring 1995

Bärenreiter BA 7391

Comment

FIRNIS I, 1993 (4 min.)

for baritone and bass clarinet

Commissioned by the Chamber Opera Rheinsberg Castle / Germany

WP: Chamber Opera Rheinsberg Castle, 30^th July 1993, Stefan Stoll, baritone, Andreas Wagner, bass clarinet

On demand

 

FIRNIS II (1993) ( 4 min.)

for soprano and clarinet

WP: Lingen, 19^th January 1994, Norma Enns, soprano, Franz Bumann, clarinet

On demand

 

FIRNIS III (1993) ( 5 min.)

for two flutes

WP: Weimar Spring Festival for Contemporary Music, 16^th May 2008, Carin Levine, Elizaveta Birjukova, flutes

On demand

 

FRAMES AND FINGERS, 1992 (7 min.)

for three percussionists

WP: Berlin, 20^th June 1993, Matthias Dahms, Jörg Güntzel, Kwang-Jin Leppelsack, percussion

Bärenreiter BA 7475

Comment

HYMN, 1992 (3 min.)

for electronics

WP: Ballhaus Naunynstraße Berlin, Thomas Seelig, sound engineering

On demand

 

FRA L’ALTRO, 1991 (4 min.)

for 10-part chamber choir (3s, 3a, 1t, 3b)

Commissioned by Camerata Vocale Hannover / Germany

WP: Hannover, 5^th June 1994, Camerata Vocale, conductor: Hans-Dieter Reinecke

Bärenreiter BA 7463