Charlotte Seither - Composer

Works (by category)

 

 

 

Logo Bärenreiter Verlag

 

Orchestra
Stage (long form)
Stage (short form)
Vocal Ensemble / Choir
Ensemble / Chamber Music
Voice with Piano / Solo Voice
Solo Pieces (instrumental)
Others

 

 

Orchestra

 

 

LANGUAGE OF LEAVING, 2012/13 (22 min.)

for orchestra and 24 voices freely after a text of Franceso de Lemene (3 fl, 2 ob, eh, 2 cl, bass cl, 2 bsn, db bsn, 4 hrn, 3 tr, 3 trb, tb, 4 perc, strings 14/12/10/8/6 and voices: SSS / AAA / TTT / BBB)

Commission of the BBC London

WP: 28th August 2013, BBC Proms, Royal Albert Hall London, BBC Symphony Orchestra, BBC Singers, conductors Josep Pons

Bärenreiter BA

 

 

FÜNF STÜCKE UM DEN FLUSS ZU QUEREN, 2012 (10 min.)

for orchestra (2 fl, 2 ob, 2 cl, 2 bsn, 2 hrn, 2 tr, 1 trb, 2 or many perc, strings)

Commission of St. Martin Kassel, Composer in Residence 2012 accompanying the documenta XIII 2012

WP: 5th September 2012, Kassel, St. Martin, Orchestra of the Wilhelms-Gymnasiums Kassel, conductor: Christopher Hilmes

Bärenreiter BA

 

 

RECHERCHE SUR LE FOND, 2010/11 (18 min.)

for orchestra (2 fl, ob, eh, 3 cl, 3 bsn, 2 hrn, 2 tr, 2 Pos, 1 tb, 3 perc., 10 vl I, 8 vl II, 6 vla, 5 vcl, 4 db)

Commission of the Festival Ensemblia Mönchengladbach

WP: 10th June 2011, Festival Ensemblia Mönchengladbach, Niederrheinische Sinfoniker, conductor: Graham Jackson

Bärenreiter BA

 

SCHATTEN UND KLARSEIN. VERSE FÜR HEINRICH VON KLEIST 2009/10 (22 min.)

for soprano and string orchestra (6, 5, 4, 3, 2)

Commission of the Förderkreis für Neue Musik Heilbronn fot the Württembergisches Kammerorchester

WP: Heilbronn, 15th December 2010, Dorothee Mields, soprano, Württembergisches Kammerorchester Heilbronn, conductor: Ruben Gazarian

Bärenreiter BA

 

BESCHRIFTUNG DER TIEFE VON INNEN, 2009 (14 min.)

for ensemble (bass fl, ob/englh, clar, bass cl, bsn, d-bsn, hr, tr, pos, 2 perc, acc, 2vl, vla, 2 vcl, db)

Composed within the Scholarship for the German Academy in Rome

WP: Auditorium Parco della Musica Rom, 11th Dezcmber 2009, Ensemble Modern, conductor: Stefan Asbury

Bärenreiter BA

 

ESSAY ON SHADOW AND TRUTH, 2007 (28 min.)

for orchestra

Commissioned by the Opera Krefeld-Mönchengladbach

WP: Krefeld, 29th April 2008, Niederrheinische Sinfoniker, conductor: Graham Jackson

Baerenreiter BA 9724

 

ESSAY ON SHADOW AND TRUTH (CHAPTER I), 2007 (13 min.)

for orchestra

Commissioned by the Opera Krefeld-Mönchengladbach

WP: Krefeld, 29th April 2008, Niederrheinische Sinfoniker, conductor: Graham Jackson

Baerenreiter BA 9723

 

LIVING GARDENS, 2002/03 (11 min.)

for 19 players (fl (also bass fl and picc), ob (also engl hrn), clar, bass cl, bassoon (also dbl bassoon), hrn, tr, tromb, tb, 2 perc, pno (2 players), 1 vl, vla, 2 vcl, dbl bass)

Commissioned by Ensemble Modern and the City of Frankfurt / Germany

WP: Alte Oper Frankfurt, 7th May 2003, Ensemble Modern, conductor: Kaspar de Roo

Baerenreiter BA 7751

Comment

PAIRES D’ALTERNANCES, 2001 (11 min.)

for orchestra

Commissioned by the Kulturstiftung Rheinland-Pfalz / Germany

WP: Landau, 12th January 2002, Staatsphilharmonie Rheinland-Pfalz, conductor: George Pehlevenian

Awarded the 1st Prize in the International Composition Contest Ciutat de Palma / Spain for Orchestra 2004

Baerenreiter BA 7728

Comment

L’UNO DALL’ALTRO, 1993 (11 min.)

for orchestra (fl, alto fl, clar, bass clar, bass, dbl bass, 3 perc, acc, hrp, strings vla I, II, vcl I, II, dbl bass I, II)

Commissioned by the Badisches Staatstheater Karlsruhe / Germany

WP: Karlsruhe, 29th April 1994, Badische Staatskapelle Karlsruhe, conductor: Helmut Weese

Baerenreiter BA 7395

 

KAMMERSINFONIE (OBJET DIAPHANE), 1993 (10 min.)

for 13 instruments (1, 1, 1, 1 – 1, 1, 1, 0 – 1 perc. – 1, 1, 1, 1, 1)

Commissioned within the Composition Scholarship of Berliner Senatsverwaltung für Kulturelle Angelegenheiten Berlin for the Berlin Philharmonic Orchestra / Germany

WP: Philharmonie Berlin, 26th June 1994, Berlin Philharmonic Orchestra, conductor: Gernot Schulz

Awarded the 1st Prize in the International Composition Contest Prague Spring 1995

Baerenreiter BA 7391

Comment

 

Stage (long form)

ANDERES / SELBST, 1998-2000 (75 min.)

Opera for three soloists, orchestra, 24 vocalists and noise makers

Commissioned by the Opera Bonn / Germany for the series Bonn Chance

WP: Bundeskunsthalle Bonn, 11th June 2000, Beethoven Orchestra and Ensemble of the Opera Bonn, conductor: Wolfgang Ott

Baerenreiter BA 7702

 

 

Stage (short form)

THE BRIGHT RANDOM OF FEAR AND AWAKING, 2007 (15 min.)

for soprano, mezzo soprano, baritone, flute (bass fl and alto), viola, horn, double bass and harp

Commissioned by the ADEvantgarde-Festival Munich

WP: Emma-Theatre Osnabrück, 17th May 2007, Ensemble of the Oper Osnabrück, conductor: Marius Stieghorst

Baerenreiter BA 9712

 

ECHOES OF O’s, 2007 (from 3 min. on ad lib.)

for one or more performers or any movable entities

WP: Documenta Kassel, 26th August 2007, Angelika Luz, performer

Baerenreiter BA

Comment

ONE-WOMAN-OPERA, 2004 (15 min.)

for voice with hand percussion

Commissioned by the Dresdener Zentrum für Zeitgenössische Musik

WP: Dresdener Zentrum für Zeitgenössische Musik, 30th September 2004, Christina Ascher, mezzo soprano, Rainer Holzapfel, scene

Baerenreiter BA 9301

Comment

 

Vocal Ensemble / Choir

 

 

LICHT UND NAMEN, 2012/13 (17 min.)

for 12 groups of voices in space (SS, AA, T, B / SS, AA, T, B)

Commission of Deutschlandfunk Köln

WP: 23th June 2013, Jubilee Concert 850 Years Loccum Monastery, Norddeutscher Figuralchor, conductor: Jörg Straube

Bärenreiter BA

 

 

 

GUARDA IN GIÙ, 2011 (15 min.)

für 12-part choir

Commission of the Via Nova Chors München in cooperation with the Ernst von Siemens Musikstiftung

WP: 7th october 2012, Via-Nova-Chor München, conductor: Florian Helgath, Prinzregententheater München

Bärenreiter BA

 

HAUT TERRAIN, 2010 (16 min.)

for 12-part chamber choir (3S, 3A, 3T, 3B)

Commission of the Dresdner Kammerchors for the Dresdner Chorwerkstatt für Neue Musik 2011

WP: Dresden, Festspielhaus Hellerau, 26th February 2011, Dresdner Kammerchor, conductor: Hans-Christoph Rademann, scene: Sommer Ulrickson

Bärenreiter BA 9398

 

PASSAGE INNOCENT, 2006 (12 min.)

for 12 voices (3s, 3a, 3t, 3b)

Commissioned by the Berliner Senatsverwaltung für Kulturelle Angelegenheiten

WP: Berlin, 30th January 2007, Ars-nova-Ensemble Berlin, conductor: Sabine Wüsthoff

Baerenreiter BA 9354

Comment

ALL’APERTO, 2004 (8 min.)

for 16 part chamber choir, freely after Sonnet 362 by Francesco Petrarca
(4s, 4a, 4t, 4b)

Commissioned by the International Choir Festival Ruhr Bochum / Germany

WP: International Choir Festival Ruhr Bochum, 28th October 2004, Stuttgarter Kammerchor, conductor: Frieder Bernius

Baerenreiter BA 8596

Comment

HORA, 2003 (10 min.)

for 8-part vocal ensemble (4s, 3a, 1b)

WP: Berlin, 2nd October 2004, Berlin Cappella, conductor: Kerstin Behnke

Awarded the Composition Prize of Berlin Cappella 2004

Baerenreiter BA 9318

Comment

RICORDANZA, 2003 (13 Min.)

for 15-part choir (4s, 4a, 3t, 4b)

Commissioned by the Klaus-Martin-Ziegler-Foundation Kassel

WP: Kassel, 30th November 2003, Vocalensemble Kassel, conductor: Hans Darmstadt

Baerenreiter BA 8579

Comment

SEEDS OF NOISES, 2000 (9 min.)

for six voices (s, s, a, t, b, b)

Commissioned by Biennale Hannover / Germany

WP: Biennale Hannover, 9th June 2001, Neue Vocalsolisten Stuttgart

Baerenreiter BA 8274

Comment

FRA L’ALTRO, 1991 (4 min.)

for 10-part chamber choir (3s, 3a, 1t, 3b)

Commissioned by Camerata Vocale Hannover / Germany

WP: Hannover, 6th May 1994, Camerata Vocale, conductor: Hans-Dieter Reinecke

Baerenreiter BA 7463

 

 

Ensemble / Chamber Music

 

 

CHERCHER LE CHIEN, 2013/14 (12 min.)

for bass flute, bass clarinet, trombone, piano, violine, viola and violoncello

Composed within the Residency Villa Concordia Bamberg

WP: 12th March 2014, Bamberg, Internationales Kuenstlerhaus Villa Concordia, Ensemble musikFabrik NRW, conductor: Johannes Schoellhorn

Baerenreiter BA

 

 

EIGHT PIECES OF PRECIOUS TIME, 2013 (11 Min.)

for violin and horn

Commission of the Deutscher Musikrats Bonn for the Competition Jugend musiziert 2014 / Impulse

WP: Rathenow, 24th/25th Januayr 2014, Jugend Musiziert Competition, Alina Stück, violin, Sarah Stück, horn

Baerenreiter BA

 

 

TRE ACQUE CON OMBRE, 2013 (10 min.)

for violin, viola, violoncello, bass clarinet and piano

Commission of the Festival Milano Musica 2013

WP: 16th October 2013, Festival Milano Musica 2013, Auditorio San Fedele Milano, Ensemble mdi Milano

Bärenreiter BA

 

 

MORE REASONS FOR REALITY, 2011 (14 min.)

for bass flute, bass clarinet, violin, violoncello and piano 

Commissioned by E-Mex Ensemble and Landesmusikrats NRW

WP: Essen, Museum Folkwang, 21st October 2011, E-Mex Ensemble

Baerenreiter BA

 

 

 

SCHWEBENDE VERSE, 2012 (11 Min.)

for piano and percussion

Commission of the Ensembles Phace Contemporary Wien

WP: 13th Januaray 2013, Ensemble Phace Contemporary, Konzerthaus Wien

Bärenreiter BA

 

 

 

EQUAL WAYS OF DIFFERENCE, 2011 (14 min.)

für violin, violoncello and piano

Commissioned by elole Klaviertrio Dresden for 10-year-jubilee

WP: Tonlagen-Festival Dresden, Festspielhaus Hellerau, 5th October, elole Klaviertrio, Uta-Maria Lempert, violin, Matthias Lorenz, violoncello, Stefan Eder, piano

Baerenreiter BA

 

 

 

RUNNING CIRCLES, 2011 (14 min.)

for two pianos and two percussions

Commissioned by Ensemble BerlinPianoPercussion

WP: März Musik Berlin 2014, Philharmonie / Kammermusiksaal, 19. März 2014, Ensemble BerlinPianoPercussion

Baerenreiter BA

 

SCHWEBENDER RAND MIT VERZWEIGUNG, 2010 (10 min.)

for 2 bass clarinets or clarinets

Composed within the XVIII. Randspiele Zepernick / Brandenburg

WP: Randspiele Zepernick / Brandenburg, 4th July 2010, Matthias Badczong, Ingolfur Vilhjalmsson, bass clarinets

Baerenreiter BA

 

WAITING FOR T, 2009 (8 min.)

for trompet, trombone, violoncello and drums

Composed within the scholarship of the German Accademy Villa Massimo Rome

WR: 16th – 18th Juli 2010, Akademy Schloss Solitude Stuttgart, Ensemble Ascolta

Baerenreiter BA

 

BESCHRIFTUNG DER TIEFE VON INNEN, 2009 (15 min.)

for ensemble (bass fl, ob/englh, clar, bass cl, bsn, dbl bsn, hr, tr, tromb, 2 perc, acc, 2vl, vla, 2 vcl, dblb)

Composed within the Scholarship Deutsche Akademie Villa Massimo Rom

WP: Auditorium Parco della Musica Rom, 11th December 2009, Ensemble Modern

Baerenreiter BA

Comment

FAR FROM DISTANCE, 2008 (11 min.)

for clarinet, violoncello and piano

Commission of the Days for Interpretation and Performance Saarbrücken

FP: Days of Interpretation and Performance Saarbrücken, 15th October 2008, Eduard Brunner, clarinet, Gustav Rivinius, violoncello, Adrian Oetiker, piano

Baerenreiter BA

Comment

SCUSI, 2008 (11 min.)

for tenor recorder and piano

Commissioned by the Ensemble Miroirs Hannover

WP: Sprengel-Museum Hannover, 19th October 2008, Ulrike Volkhardt, tenor recorder, Susanne Achilles, piano

Baerenreiter BA

Comment

ECHOES OF O’s, 2007 (from 3 min. on ad lib.)

for one or more performers or any movable entities

WP: Documenta Kassel, 26th August 2007, Angelika Luz, performer

Baerenreiter BA

Comment

INVENTAIRE DE DÉPART, 2006 (23 min.)

for accordion and electronics

Commissioned by the Deutschlandfunk Cologne

WP: Academy of Arts Berlin, 18th October 2006, Margit Kern, accordion / Studio of Electronic Arts of the Academy of Arts Berlin, Georg Morawietz and Gerd Rische, sound engineering

Baerenreiter BA

Comment

VISIBLE THOUGHTS, 2005 (12 min.)

for tenor saxophon, percussion and piano

WP: Saarländischer Rundfunk Saarbrücken, 16th February 2006, Trio Accanto

Baerenreiter BA

 

SECRET ROOTS OF FUSION AND FATE, 2005 (13 min.)

for violin, double bass clarinette, percussion, double bass, tuba in Eb and live electronics

Commissioned by the Academy of Arts Berlin

WP: Academy of Arts Berlin, 10th December 2005, Chamber Ensemble New Music Berlin

Baerenreiter BA

 

FLOW, 2005 (10 min.)

for violin, flute (also alto fl) und violoncello

Commissioned by Villa Aurora Berlin / Los Angeles

WP: Berlin, 4th December 2005, Ensemble Ear Unit Los Angeles

Baerenreiter BA

Comment

UNKNOWN FRIENDS, 2003 (10 min.)

for bass clarinet, trombone, piano and percussion

Commissioned by the Bayrische Staatsoper Munich / Germany

WP: Munich, 6th June 2003, Ensemble of Bayrische Staatsoper Munich

Baerenreiter BA 8566

Comment

LIVING GARDENS, 2002/03 (10 min.)

for 19 players (fl (also bass fl and picc), ob (also engl hrn), clar, bass cl, bassoon (also dbl bassoon), hrn, tr, tromb, tb, 2 perc, pno (2 player), 1 vl, vla, 2 vcl, dbl bass)

Commissioned by Ensemble Modern and the City of Frankfurt / Germany

WP: Alte Oper Frankfurt, 7th May 2003, Ensemble Modern, conductor: Kaspar de Roo

Baerenreiter BA 7751

Comment

CORPS CROISÉ, 2002 (17 min.)

for string quartet

Commissioned by the Hannover Society for Contemporary Music / Germany

WP: Biennale Hannover / NDR Hannover, 9th November 2002, Auryn Quartet

Baerenreiter BA 8565

Comment

PLAYING BOTH ENDS TOWARDS THE MIDDLE, 2000 (10 min.)

for violin and violoncello

Commissioned by the Foundation Active Music Hamburg / Germany

WP: EXPO Hannover, German Pavillon, 2th July 2000, Susanne von Gutzeit, violin, Konstanze von Gutzeit, violoncello

Baerenreiter BA 7791

Comment

PESER SES MOTS, 1997 (12 min.)

for double bass recorder, bass clarinet, piano, percussion, violoncello and double bass

Commissioned by the Biennale Munich / Germany

WP: Biennale Munich, 4th February 1998, Ensemble of the Bayrische Staatsoper Munich

Baerenreiter BA 7476

Comment

MONAD’S FACE, 1997 (8 min.)

for soprano, bass clarinet and violoncello

Commissioned by the Dresdener Zentrums für Zeitgenössische Musik / Germany

WP: Dresdener Tage für Zeitgenössische Musik, 3th Oktober 1997, Ensemble Accroche Note Strasbourg

Baerenreiter BA 7473

Comment

COQ-Á-L’ÂNE, 1997 (4 min.)

for three or more performers of sound producing objects

Commissioned by Biennale Hannover / Germany

WP: Biennale Hannover, 22th May 1997, Ensemble L’art pour l’art

In: Female Composers, ed. by Vera Funk, Stuttgart: Metzler, p. 35-39

Comment

WATERS, EARTH AND AIR I, 1997 (11 min.)

for female voice, bass flute, bass clarinet, piano and two percussionists

WP: Days of Contemporary Music Hannover, 25th Mai 1997, Maria Kowollik, alto, Ensemble of Niedersächsische Staatsoper Hannover, conductor: Karl Prokopetz

Baerenreiter BA 7472

Comment

WATERS, EARTH AND AIR II, 1997 (11 min.)

for soprano, bass flute, accordion and percussion

WP: Klangwerkstatt Kreuzberg, 9th November 1997, Maacha Deubner, soprano, ARTett Berlin

Baerenreiter BA 7465

Comment

ALLEANZA D’ARCHI, 1996 (9 min.)

for violin, viola and violoncello

WP: Akademie Schloss Solitude Stuttgart, 17th April 1996, Ensemble Recherche

Baerenreiter BA 7471

Comment

CHAMPLÈVE, 1994 (10 min.)

for violin, violoncello and piano

Commissioned by Villa Musica Mainz / Germany

WP: Zellertal-Niefernheim, 28th January 1995, soloists of Villa Musica Mainz

Baerenreiter BA 7

Comment

LIQUID DEVICES, 1993 (11 min.)

for soprano, flute, two percussionists and violoncello

Commissioned by the Hannover Society of Arts for the Days of Contemporary Music Hanover

FP: Days of Contemporary Music Hannover, 27th January 1994, Norma Enns, soprano, Ensemble of Niedersächsische Staatsoper Hannover, conductor: Axel Stein

Baerenreiter BA 7492

 

CHAMBER SYMPHONY (OBJET DIAPHANE), 1993 (10 min.)

for 13 instruments (1,1,1,1 – 1, 1, 1, 0 – 1 perc. – 1,1,1,1,1)

Commissioned within the Composition Scholarship of Berliner Senatsverwaltung für Kulturelle Angelegenheiten Berlin for the Berlin Philharmonic Orchestra / Germany

WP: Philharmonie Berlin, 26th June 1994, Berlin Philharmonic Orchestra, conductor: Gernot Schulz

Awarded the 1st Prize in the International Composition Contest Prague Spring 1995

Baerenreiter BA 7391

Comment

FIRNIS I, 1993 (4 min.)

for baritone and bass clarinet

Commissioned by the Chamber Opera Rheinsberg Castle / Germany

WP: Chamber Opera Rheinsberg Castle, 30th July 1993, Stefan Stoll, baritone, Andreas Wagner, bass clarinet

On demand

 

FIRNIS II (1993) (4 min.)

for soprano and clarinet

WP: Lingen, 19th January 1994, Norma Enns, soprano, Franz Bumann, clarinet

On demand

 

FIRNIS III (1993) (4 min.)

for two flutes

WP: Weimar Spring Festival for Contemporary Music, 16th May 2008, Carin Levine, Elizaveta Biryukova, flutes

On demand

 

FRAMES AND FINGERS, 1992 (7 min.)

for three percussionists

WP: Berlin, 20th June 1993, Matthias Dahms, Jörg Güntzel, Kwang-Jin Leppelsack, percussion

Baerenreiter BA 7475

Comment

 

 

Voice with Piano / Solo Voice

WENIGE SILBEN VOM GLÜCK, 2015 (5 Min.)

for solo voice

WP: tba

Baerenreiter BA

 

BOTSCHAFTEN AUS DEM TURM. ZWEI STUECKE FUER FRIEDRICH H., 2014

(10 min.)

for voice and piano

Text freely after Friedrich Hölderlin and by unknown poet

WP: Stuttgart, Benefiz-Konzert für Unicef, St. Matthaeus, Martin Nagy, voice, Moira Muschalla, piano

Bärenreiter BA

 

UNTERSCHREITUNG DES LAUTS BEI DER REDE, 2013 (11 min.)

for voice solo

Composed within the scholarship KunstRaum Sylt

WP: in preparation

Baerenreiter BA

 

 

 

WEITERE MACHART VON STILLE, 2013 (11 min.)

for voice solo

Composed within the scholarship KunstRaum Sylt

WP: 14th February 2014, Darmstadt, Akademie der Tonkunst, Julia Mihaly, voices

Baerenreiter BA

 

 

 

DREIZEHN VERWEHUNGEN (9 min.)

for voice solo

WP: 25th October 2012, Internationales Klangkunstfest Berlin 2012, Mitte Museum, Katja Guedes, voice

Baerenreiter BA

 

 

 

FEINSTAUB, 2012 (11 min.)

Solo I-IV for voice solo

Commission of St. Martin Kassel, Composer in Residence 2012 during documenta XIII

WP: 8th / 15th / 22th / 29th August 2012, Kassel, St. Martin, Julia Mihaly (Nr. 1), Matthias Horn (Nr. 2), Rita Balta (Nr. 3), Jonathan de la Paz Zaens (Nr. 4), voice

Baerenreiter BA

 

 

GEHEN LASSEN, 2012 (10 Min.)

Solo I-III for voice with handpercussion

Commission of St. Martin Kassel, Composer in Residence 2012 during documenta XIII

WP: 17th June / 24th June / 1th August 2012, Kassel, St. Martin, Traudl Schmaderer, voice

Baerenreiter BA

 

THE LONG DISTANCE FROM ZERO TO ONE, 2010 (7 min.)

for voice of any range 

WP: Hamburg, 10th April 2011, Weißer Rausch / Medienbunker, 1000 years vocal music from Hildegard von Bingen until John Cage, Frauke Aulbert, vocal solo

Baerenreiter BA

 

DOPO DOMANI, 2008 (7 min.)

for voice and piano freely after a text by Daniela Danz
Commission by Singakademie Berlin

WP: Deutsche Oper Berlin, 7th December2008, Gesa Hoppe, voice, Anne Champert, piano

Baerenreiter BA

 

ECHOES OF O’s, 2007 (from 3 min. on ad lib.)

for one or more performers or any movable entities

WP: Documenta Kassel, 26th August 2007, Angelika Luz, performer

Baerenreiter BA

Comment

KOY, 2006 (4 min.)

for bass voice solo

Composed within the scholarship program KunstRaum Sylt / Germany

WP: Festival Voix-Nouvelles Royaumont, 1st September 2007, Andreas Fischer, bass

Baerenreiter BA

Comment

MINZMEISSEL, 2006 (5 min.)

Three small pieces for voice and piano freely after Franz Kafka

WP: Munich, 4th March 2006, Julie Kaufmann, soprano, Axel Bauni, piano (Nr. 1), Festival Klangwerktage Hamburg, 22th November 2008, Christiane Iven, soprano, Axel Bauni, piano (Nr. 1-3)

Baerenreiter BA

Comment

EINLASS UND WIEDERKEHR, 2004 (17 min.)

Eleven fragments for soprano and piano freely after texts by Franz Kafka

Commissioned by the NDR Hamburg / Schleswig-Holstein-Festival for the Masterclass Contemporary Lied Aribert Reimann

WP: Schleswig-Holstein Music Festival / NDR Hamburg, 28th August 2004, Silke Schwarz, soprano, Holger Berndsen, piano (Nr. 1-5, 10-11), Laeisz-Hall Hamburg, 1st July 2008, Frauke Thalacker, soprano, Tammin Lee, piano (Nr. 1-11)

Baerenreiter BA 9323

 

ONE-WOMAN-OPERA, 2004 (15 min.)

for voice with hand percussion

Commissioned by the Dresdener Zentrum für Zeitgenössische Musik

WP: Dresdener Zentrum für Zeitgenössische Musik, 30th September 2004, Christina Ascher, mezzo soprano, Rainer Holzapfel, scene

Baerenreiter BA 9301

Comment

DIR, MIR ZU, 2001 (3 min.)

for voice and piano

WP: Munich 25th June 2001, Martina Koppelstätter, mezzo soprano, Moritz Eggert, piano

Baerenreiter BA 8276

Comment

HERZFALTER, 2000 (8 min.)

for tenor and piano, freely after Sonnet XIX by Francesco Petrarca

Commissioned by EXPO Hannover / Germany

WP: EXPO Hanover, German Pavillon, 19th August 2000, Marcus Ullmann, tenor, Michael Wendeberg, piano

Baerenreiter BA 8275

Comment

SIEBEN VERLAUTBARUNGEN, 1997 (10 min.)

for baritone and piano

Commissioned by DeutschlandRadio Berlin / Germayn

WP: Ludwigslust, 20th July 1997, Stefan Stoll, baritone, Axel Bauni, piano

Baerenreiter BA 7493

Comment

 

Solo Pieces (instrumental)

Piano

Left Luggage. Nachklang fuer Ludwig van B., 2015 (5 min.)

for piano

WP: 250 Pieces for Ludwig van Beethoven, Bonn, Post-Tower / Accompanying Porgram to the Beethoven Feast 2015, 7th September 2015, Susanne Kessel, piano

Baerenreiter BA (in preparation) and Edition Athenum Ferrum (in preparation)

 

Ask him!, 2014 (5 min.)

for piano

WP: Johannesburg / South Africa, Sylt Foundation, 19th July 2015, Jill Richards, piano

Baerenreiter BA (in preparation)

 

GRAN PASSO, 2006 (13 min.)

for piano

Commissioned by Concours Clara Schumann Düsseldorf

WP: BBC London, Maida Vale, 18th November 2007, Mark Knoop, piano

Baerenreiter BA 9358

Comment

ITINÉRAIRE, 2005 (11 min.)

for piano

Commissioned by the Bebersee-Festival Groß-Dölln

WP: Airport Groß-Dölln, 5th August 2005, Markus Groh, piano

Baerenreiter BA 9359

Comment

SOUS MES YEUX, 2005 (4 min.)

for piano

WP: Traunstein Music Summer, 4th September 2007, Axel Bauni, piano

Baerenreiter Piano Album, Contemporary Composers, BA 8762, S. 66-70

Comment

ECHOES, EDGES, 2001 (10 min.)

for piano

Commissioned by Bremen International Piano Contest 2001

WP: Bremen, 24th October 2001, Stanislav Unland-Boianov, piano

Baerenreiter BA 8272

Comment

KLANG UND SCHWEBUNG, 1996 (6 min.)

for piano

WP: Berlin, 4th March 1996, Axel Bauni, piano

Baerenreiter BA 7462

Comment

 

 

Violin

 

 

CRY, 2009 (14 min.)

for violin

Composed within the scholarship of the German Academy Villa Massimo Rome

WP: in preparation

Baerenreiter BA

 

 

 

Violoncello

DEIXIS, 2009 (15 min.)

for violoncello

Composed within the scholarship of the German Academy Villa Massimo Rome

WP: German Academy Villa Massimo Rome, 23th June 2009, Rohan de Saram, violoncello

Baerenreiter BA

 

MERGING STRAIN, 1999 (14 min.)

for violoncello solo

Commissioned by the Cologne Philharmonie

WP: Bach Feast Cologne, 3th April 1999, Tanja Tetzlaff, violoncello

Baerenreiter BA 7790

Comment

 

 

Flute

SEUL, AVEC DES OMBRES, 2011 (3 min.)

for alto flute or flute solo

Commissioned by Musikakademie Schloss Rheinsberg for 300th Birthday of Friedrich dem II. von Preußen

(“70 Solfeggien für Friedrich – 70 composers”)

WP: 27th may, Schloss Rheinsberg, Schlosstheater, Carin Levine, flute

Baerenreiter BA

 

 

 

Accordion

NEVER REAL, ALWAYS TRUE, 2008 (12 min.)

for accordion solo

Commissioned by Deutschlandfunk Cologne

WP: Deutschlandfunk Forum for Contemporary Music Cologne, 5th April 2008, Margit Kern, accordion

Baerenreiter BA

 

INVENTAIRE DE DÉPART, 2006 (23 min.)

for accordion and electronics

Commissioned by Deutschlandfunk Cologne

WP: Academy of Arts Berlin, 18th October 2006, Margit Kern, accordion / Studio of Electronic Arts of Academy of Arts Berlin, Georg Morawietz and Gerd Rische, sound engineering

Baerenreiter BA

Comment

HERZFORM, KRATER, 2001 (7 min.)

for accordion solo

Commissioned by Klangwerkstatt Kreuzberg / Germany

WP: Klangwerkstatt Kreuzberg, 10th November 2001, Gerhard Scherer, accordion

Baerenreiter BA 9319

Comment

 

 

Others

ECHOES OF O’s, 2007 (from 3 min. on ad lib.)

for one or more performers or any movable entities

WP: Documenta Kassel, 26th August 2007, Angelika Luz, performer

Baerenreiter BA

Comment

FIRE MUSIC, 2003 (2 min.)

for six players of cigarette lighters

WP: Stuttgart, 10th January 2010, Ensemble V.Act, conductor: Angelika Luz

 

KNIFE-SPOON-FORK-PIECE FOR YOUNGSTERS, 2001 (1’30 min.)

for four or more playing groups

in: Musik um uns 1, Klasse 5 und 6, ed. by Ulrich Prinz and Albrecht Scheytt, Stuttgart: Metzler 2001, p. 276f.

 

COQ-Á-L’ÂNE, 1997 (4 min.)

for three or more performers with sound producing objects

Commissioned by Biennale Hannover / Germany

WP: Biennale Hannover, 22th May 1997, Ensemble L’art pour l’art

In: Female Composers, ed. by Vera Funk, Stuttgart: Metzler, p. 35-39

Comment

HYMN, 1992 (3 min.)

for electronics

WP: Ballhaus Naunynstraße Berlin, Thomas Seelig, sound engineering

On demand